Volume control 空间的控制

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特别鸣谢翻译一组5号 刘政和 Sabbagh Arquitectos completes events centre with acoustic challenges Sabbagh Arquitectos完成了展览馆的声学挑战 The project consists of an overall expansion and remodeling of an old downtown Events Center which operated in the last level of a parking garage, located between Paris Street and San Francisco Street, in the heart of Santiago. 这个项目包含一个位于巴黎的街道和旧金山街,在圣地亚哥的核心的整体扩张和在过去的一个停车场重构的一个古老的市中心展览馆操作。 The architectural proposal was to build a large space flexible and highly transparent, allowing views of the main perceived the south - west of Santiago, the Virgin on Cerro San Cristobal and San Francisco to the North Church, in order to establish itself as a 'Great Plaza - Mirador' that recognises the city, taking advantage of favorable conditions presented by the project. 建筑师的提议是创建一个大空间，灵活和高度透明,使视线主要来自南方——西的圣地亚哥,维珍在山丘圣克里斯托瓦尔和旧金山北教堂,以使自己成为一个“伟大的广场-凸窗”,认识到这个城市,利用有利条件提出的项目。 This particular space, the main hall, which forms the main extension, is a laminated wood structure chosen for its economy, lightness, sustainability , speed of execution and that was allowed to be left without finishing the whole structure, forming a very warm place, which in conjunction with the crystal, provides great transparency and elegance. 这个特定的空间,大厅,形成主要的扩展,通过一个胶合板结构，选择其经济、轻盈、可持续性、执行速度,留下一个没有完成的整个结构,形成一个非常温暖的地方,用晶体连接,提供了透明和优雅的感觉。 In a way, it tries to replicate the condition of public plaza of 'Alameda de Santiago', armed by trees and foliage, but in height, through these wooden frames which in sequence define the space by replicating the effect of foliage, imprisoning and falling, giving power to the space. 在某种程度上,它试图复制公共广场的“Alameda de Santiago’,被树木和植被包装,但在高度上,通过这些木框架在序列定义空间通过复制效果的树叶,监禁和下降,给予空间的力量。 One of the most complex issues to resolve was the sound, where departments were very close. This forced the architects to 'close up' those parts with volumes of services to control the emission of noise. Also added the technology applied to the glass to allow views of the most interesting places. 其中最复杂的问题是声音,邻近各部门。这迫使建筑师“关闭”这些部分的容积来控制排放的噪音。还添加了玻璃的应用技术，引入最有趣地方的景色。 In addition to the acoustic emission, it was very important to resolve the internal acoustics. The scheme of 'foliage' made up by the sky of wooden lattice-shaped curve (inverted, catenary style), together with an absorbent cloth on the inner face of the sky solved this very successfully, creating an interesting space. 除了声音的输出,解决内部声音也是非常重要的。该计划的“叶子”，由天空木格子形曲线(倒,悬链线的风格),连同一个吸水布的内表面的天空，解决了这个问题,创建一个有趣的空间。