日本刀具店的室内设计/ Yusuke Seki
2016-04-06
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室内,
商业空间,
店铺,
日本,
刀具,
yusuke seki,
木材,
混凝土,
玻璃
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Yusuke Seki combines "danger and precision" for Japanese knife shop interior 由专筑网Yumi，刘庆新编译 在这家日本品牌Tadafusa店里，手工刀都展示在一个定制的木制货架系统上，设计来源于东京的设计师 Yusuke Seki。 Handmade knifes are displayed on a custom-built wooden shelving system inside this shop for Japanese brand Tadafusa, designed by Tokyo designer Yusuke Seki.
Tadafusa的这家店——手工锻造刀的知名厂商——位于Sanjo，这是一个在日本Niigata 辖区的城市，是锻造刀的起源地。 The shop for Tadafusa – a renowned manufacturer of hand-forged knives – is located in Sanjo, a city in Japan's Niigata Prefecture with blacksmithing origins.
该店邻近公司的工厂Seki选择利用现有建筑外墙的一部分作为室内墙壁。 As the store is situated adjacent the company's factory, Seki chose to use a portion of the existing building's exterior as an interior wall.
这些刀是商店内部主要的参考点，但Seki 也被其他的销售产品影响。 The knives were a major reference point for the store's interior, but Seki was also influenced by other products on sale.
陈列架和中央的桌子采用碳化的云杉，相同的材料也用于砧板以及刀柄。 “切割板店铺的概念同样是线性编织，深入到这家店铺的概念里，”他说。“而Tsubame-Sanjo 地区是出了名的一个铁匠镇，刀不能只由纯粹的刀片组成。” Displays and a central table were constructed from carbonised spruce, the same material used to create cutting boards, as well as knife handles. "The notion of a cutting board shop is also a thread woven deeply into the store concept," he said. "While the Tsubame-Sanjo area is famous for being a blacksmithing town, knives do not consist solely of blades."
从工厂里走下来两段混凝土楼梯就可以进入这个店里。刀具被展示在楼梯底部的一个网格构架里，在一个有联锁架子的花格木背板上。 The store is accessed via the factory down two flights of concrete stairs. Knives are displayed at the bottom of the stairs in a grid-like formation, upon a latticed wooden backdrop with interlocking shelves.
为了重新设想典型的锁刀盒，设计师把产品隐藏在一套玻璃门背后，打算让访问者亲自打开，感受一下锁刀盒的工艺。 Aiming to re-envision the typical locked knife case, the designer concealed the products behind a set of glass doors that are intended to be opened by visitors.
“安全区域经常用锁着的玻璃柜来代表，现在被更正成为一个神圣的区域，”Seki说。 “当他们进入这个区域时，一个更高的门槛提醒访问者保持一种提高意识的状态，就像在神社和寺庙中的一样。” "The security zone most often represented by the locked glass case has been rebranded as a zone of reverence," said Seki. "A raised threshold forces visitors into a heightened state of awareness as they enter the area, mimicking those found in shrines and temples."
“Tadafusa的店铺用自然元素把危险与精细的概念无缝绑定在一起，提高了刀具的日常使用，为工业的复苏做了一个优雅的展示。”他补充说。 "Tadafusa's shop seamlessly blends notions of danger and precision together with natural elements, elevating the knife of daily use into an elegant showcase for the industry's resurgence," he added.
Seki已经设计了大量的店铺和展示空间，它们提高了日本的传统手工艺，包括在Kyotoand 的和服店，它是一个东京纺织品牌，有一个使用******织物的装置。 Seki最近的一个项目中，使用25000片陶瓷去提高Hasami一个陶瓷店的地板品质，那是一个在日本长崎的小镇，生产陶器大约有400年。 摄影：Takumi Ota Seki has designed a number of shop and exhibition spaces that promote traditional Japanese crafts, including a kimono shop in Kyotoand an installation using hemp fabrics for a Tokyo textile brand. Most recently project, he used 25,000 pieces of crockery to raise the floor of a ceramics shop in Hasami, a town in Japan's Nagasaki prefecture that has produced pottery for around 400 years. Photography is by Takumi Ota. 本文译自www.dezeen.com/，转载请注明出处。 |
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室内,
商业空间,
店铺,
日本,
刀具,
yusuke seki,
木材,
混凝土,
玻璃
珠海横琴国际高科技创新公园
美国Hungry Neck住宅/ The Raleigh Architecture Company
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